Zgorszenie jako strategia walki szwedzkich artystów filmowych ze społeczeństwem

Tomasz Adamski

Abstrakt


Shocking as strategy of battle with swedish society

Tomasz Adamski in his article analyzes newest swedish film production as manners of criticism of swedish society. At the beginning he describes features characterizing modern Sweden like: economic equality, high taxes, wealth or moral freedom. Then he analyzes films of Ingmar Bergman and Vilgot Sjoman and writes that both directors criticize official institutions which should take care of young people but they do not do it any more. Then he analyzes a few films of Lukas Moodysson. He also notices, that it is used children’s heroes in modern swedish movies for social criticism and directors portray them in completely exceptional manner. Very often directors uses also image of immigrant or image of other to show swedish society from outside, what gives completely new and exceptional image.


Słowa kluczowe


Szwecja, krytyka społeczna, film szwedzki, imigrant, obcy, portrety dziecięce, Sweden, criticism of swedish society, swedish film, immigrant, other, images of children

Bibliografia


Delick A., Folkhemmet w erze globalizacji, w: Szwecja. Przewodnik nieturystyczny, Warszawa 2010.

Holmberg J., Censorship in Sweden, w: Swedish Film. An Introduction and Reader, ed. M. Larsson, A. Marklund, Lund 2010.

Kwiatkowski A., Film skandynawski, Warszawa 1986.

Pallas H., Nowe kino szwedzkie, Kraków 2009.

Pawłowicz B., Czy musiało do tego dojść, „Zwierciadło” 2011, nr 9.

Walat T., Seks, śnieg, śledź, „Polityka” 2007, nr 38.


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Licencja Creative Commons ISSN 2083-7275, e-ISSN 2391-4432, DOI 10.24917/20837275
Studia de Cultura by Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie is licensed under a Creative Commons Attribution 4.0 International Public License.